According to the Flesch-Kincaid method, the higher the score, the easier the piece is to understand. Use shorter paragraphs and sentences because it requires comparatively more mental work to read and understand longer sentences.Use bulleted or numbered lists so that readers do not get bored or distracted by long paragraphs.You can check its readability score online. Well-structured documentation: Well-structured documentation plays a crucial role in guiding new users. It prevents them from getting lost and, let them know where they are heading and what they are doing. To achieve this I have built a rough mind map which can help us document this beginner’s guide in an organized way. This project focuses on writing documentation for new users to get their hands on this software. Given below is an example of how I intend to make documentation more descriptive.īRL-CAD (pronounced be-are-el-cad) is a constructive solid geometry (CSG) solid modeling computer-aided design (CAD). It is a powerful, cross-platform, open-source solid modeling system for 3D computer-aided design and graphic visualization.Ĭan’t get your head around it? Let’s break it down. Open-source: Open source software is a software with source code that anyone can inspect, modify, and enhance. BRL-CAD being an open-source software welcomes you to contribute and make BRL-CAD better than before!Ĭomputer Aided Design (CAD): In simple words, CAD is the use of computer programs to create two or three dimensional graphical representation of physical objects. Solid modeling system: BRL-CAD focuses on solid modeling CAD. Solid modeling is distinguished from other forms of geometric modeling by an emphasis on being physically accurate, fully describing 3D space. It simulates an object both internally and externally.Ĭonstructive Solid Geometry (CSG): CSG allows to represent complex models as a series of Boolean operations between primitives. The simplest solid objects used for the representation are called primitives. Required extensions to the existing combinatorial geometry analysis routines are discussed.*As mentioned in the project idea description: To understand CSG on a fundamental level, visit here. BRL-CAD consists of more than 1 million lines of source code spanning more than 20 foundation libraries and 400 application modules. BRL-CAD is a constructive solid geometry (CSG) solid modeling computer-aided design (CAD) system. I cannot see anything within Blender that provides for dimenstional scaling so that models can be made to scale, such as 1" to 1’ scaling or such for mechanical modeling? I have look at the repository so far and all I see is examples for modeling faces, computers, etc.etc. Examples illustrating the various options and features which will be implemented in the application are presented. There are other available FOSS CAD tools for solid modeling using a programming language. For example, an automobile manufacturer makes cars for everyday use, but also makes modified versions for display at certain events. The use of the application as a visualization tool for the output of the radiation transport codes is also discussed. Examples of these tools are BRL-CAD 41, CadQuery 42, PythonOCC 43. The majority of BRL-CAD is written in highly portable C and C++. I have look at the repository so far and all I see is examples for. CMake, and a build environment-for example, GNU Make or Microsoft Visual Studio. for CAD/CAM Open Source and I see two things so far, powerCAD and BRL-CAD which says. nothing for things like creating a design model for example say, a bicycle with detailed CAD drawings with dimensions, to scale, and with solid modeling with animation support. Objectives Front-end An Abstraction of Parameters over the present components of primitives Representation of complex (see examples) constraints between. Perhaps a open-source autoCAD is what I am looking for?ĭon’t get me wrong but I do think blender is awesome, somewhat easy to use and powerful, but I need to find a CAD/CAM program so that I can design to-scale mehanical devices such as gears, cams, pistons, things of that nature and CAM so that I can show animation as well.Īny suggestions? I have googled/yahooed searched for CAD/CAM Open Source and I see two things so far, powerCAD and BRL-CAD which says it is supported in Windows but I do not see it in binary form.
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However for reasons we won’t get into here, this is not the case. A common misconception is that swords should all be “razor sharp”. Moderately Sharp is close, but may need to be touched up to get the best performance. Possible values could be “Rebated” meaning the edge is intentionally thickened for safety, “Blunt” meaning the edge is fairly thick with little to no taper, ‘Unsharpened” which would taper to the edge but stop short of having any real cutting ability, “Slightly Sharp, Moderately Sharp, Sharp, or Very Sharp” Sharp or Very Sharp are considered good for cutting swords. The “Edge” spec will tell you about how sharp a blade is. This info is provided to give you a good idea of the product being presented, the one you receive may vary from the specific one we took measurements of. Please note: Due to the hand made nature of these items, all specs should be considered as approximates. A very high POB will result in a sword that feels heavier than it actually is and is difficult to wield. In general, a low POB results in good point control well suited to a thrusting blade, while a higher POB adds impact to a cleaving blade. A POB of 3”- 5” usually results in a well balanced sword, but does depend on the type of sword. In practice however, there are many reasons why you may not want this for a particular sword. In theory a sword with a POB of 0” is perfectly balanced. A number of 0” would balance exactly at the guard, while a negative number will have a POB in the hilt itself. It refers to the point on the blade where the sword achieves a perfect balance. stands for Point Of Balance, this is measured in inches from the hilt down the blade. To this guy, but I think you get the idea. In my head to do this, is to use the rule of Sarrus. Of A if and only if the determinant of this matrix 0 plus or minus minus 1 isĠ plus 1, which is 1. Lambda minus minus 1- I'llĭo the diagonals here. Going to be lambda minus- let's just do it. Matrix minus A is going to be equal to- it's actually pretty straightforward to find. The identity matrix had 1'sĪcross here, so that's the only thing that becomes Going to be- times the 3 by 3 identity matrix is just With- lambda times the identity matrix is just We're going to use the 3īy 3 identity matrix. I think it was two videosĪgo or three videos ago. If- for some at non-zero vector, if and only if, theĭeterminant of lambda times the identity matrix minusĪ is equal to 0. So lambda is the eigenvalue ofĪ, if and only if, each of these steps are true. Is it's not invertible, or it has a determinant of 0. Is that its columns are not linearly independent. To be equal to 0 for some non-zero vector v. Me rewrite this over here, this equation just in a form I just factored the vector v outįrom the right-hand side of both of these guys, and Only if the 0 vector is equal to lambda times the identity Sides, rewrote v as the identity matrix times v. Going to write lambda times the identity matrix times v. Is equal to lambda- instead of writing lambda times v, I'm Let's just subtract Av from both sides- the 0 vector This is true if and only if-Īnd this is a bit of review, but I like to review it justīecause when you do this 10 years from now, I don't want you I could call it eigenvector v,īut I'll just call it for some non-zero vector v or Non-zero vector v is equal to lambda times that non-zero That it's a good bit more difficult just because the mathīecomes a little hairier. When the requested convergence is not obtained.For a 2 by 2 matrix, so let's see if we can figure V is the eigenvector corresponding to the eigenvalue w. See notes in sigma, above Returns : w ndarray OPinv ndarray, sparse matrix or LinearOperator, optional Return eigenvectors (True) in addition to eigenvalues Minv ndarray, sparse matrix or LinearOperator, optional The default value of 0 implies machine precision. Relative accuracy for eigenvalues (stopping criterion) Maximum number of Arnoldi update iterations allowed If small eigenvalues areĭesired, consider using shift-invert mode for better performance. ARPACK is generally betterĪt finding large values than small values. When sigma != None, ‘which’ refers to the shifted eigenvalues w’ Refers to the shifted eigenvalues w' where: Note that when sigma is specified, the keyword ‘which’ (below) Mode or real mode, specified by the parameter OPpart (‘r’ or ‘i’). Which gives x = OPinv b = ^-1 b.įor a real matrix A, shift-invert can either be done in imaginary Solver if either A or M is a general linear operator.Īlternatively, the user can supply the matrix or operator OPinv, This is computed internally via a (sparse) LUĭecomposition for explicit matrices A & M, or via an iterative x = b, where M is the identity matrix if This requiresĪn operator to compute the solution of the linear system sigma real or complex, optionalįind eigenvalues near sigma using shift-invert mode. The user can supply the matrix or operator Minv, which gives Iterative solver for a general linear operator. (sparse) LU decomposition for an explicit matrix M, or via an If sigma is None, eigs requires an operator to compute the solution If sigma is specified, M is positive semi-definite The operation for the generalized eigenvalue problem M ndarray, sparse matrix or LinearOperator, optional It is not possible to compute allĮigenvectors of a matrix. The number of eigenvalues and eigenvectors desired. The operation A x, where A is a real or complex square matrix. With corresponding eigenvectors x Parameters : A ndarray, sparse matrix or LinearOperatorĪn array, sparse matrix, or LinearOperator representing Generalized eigenvalue problem for w eigenvalues If M is specified, solves A x = w * M x, the Solves A x = w * x, the standard eigenvalue problemįor w eigenvalues with corresponding eigenvectors x. eigs ( A, k = 6, M = None, sigma = None, which = 'LM', v0 = None, ncv = None, maxiter = None, tol = 0, return_eigenvectors = True, Minv = None, OPinv = None, OPpart = None ) #įind k eigenvalues and eigenvectors of the square matrix A.
You can also repair the OS without causing data loss.Also, You can also recover the iCloud computer file.
I am also freshly in recovery for an eating disorder, and am highly sensitive to measurements. I’ll take this one: I clicked on the link because these tights are very interesting to me. Overall I really like these tights and I think they are an affordable way to winterize some of your favorite summer or spring looks. The waistband is quite strong and I couldn't see myself lounging in these after coming home.about as comfortable as an underwire.you get used to it, but not preferable. HERE ARE THE PICTURES with all of my remarks!įoot part is not fleece-lined, so your shoe choices won't be impactedįleece and nylon are separate, so you will not get an all-over tan look, but rather your tights will be less opaque where you would naturally expect them to be less opaqueįleece is incredibly soft and very warm.I felt quite snug in my apartment. Also mentioned/compared are actual nylons No Nonsense Women's Yoga Waistband Tights. I am reviewing Deysen Legs Fake Translucent Warm Fleece Pantyhose - Women Winter Thick Slimmer and Warm Tights in 320g and 220g. I usually wear a size 4 dress, size 27-28 pants. I am 5'2, inseam 28", hips 39 inches, waist 27 inches, and I weigh about 125 lbs. I am going to put my weight and some measurements under a spoiler tag, so please don't read that if you think it will be bad for you. I'm not getting any sort of compensation, I'm not a blogger or anything like that.I just thought this might be appreciated! All I ask is that these photos not be used without my permission (unfortunately I have found Buzzfeed stealing from my Amazon reviews.so be warned!)įirst, some stats about me. I've seen lots of ads all over SM about those sheer-look fleece-lined tights, and as a lover of sheer nylons, these seemed like the perfect idea! But I couldn't find any good reviews or comparisons, so I decided to buy and review myself. Hair, Makeup, Skincare, Fitness, and Fragrance Interested in the Ethics and Sustainability of Fashion?.FFA Inspo Album Collection courtesy of /u/heyzk.How to Give and Receive Constructive Criticism.
On a blistering summer day in Philadelphia in the year 1776, a group of men in the Second Continental Congress convened. If some of the U.S.’s founding fathers got their way, Americans the Independence Day date would be the 2nd of July. Source: “Men hunt and women gather? Large analysis says the long-held idea is flat-out wrong” - Live Science Leave a comment As we continue to unearth clues from our past, we gain a richer, more nuanced understanding of human history. The discovery of women hunters suggests a more egalitarian division of labor than previously assumed. In the face of new archaeological evidence, we are rethinking long-held assumptions about prehistoric societies. For instance, when we unearth hunting tools in future excavations, we should consider the possibility that they may have belonged to women. They not only shift our perspective on gender roles but also reshape the way we interpret archaeological data. These findings have crucial implications for our understanding of social organization and labor division in ancient hunter-gatherer societies. Implications for our understanding of prehistoric societies However, these new findings suggest a more equitable distribution of roles than previously thought. The assumption that men were the hunters while women were the gatherers has shaped our understanding of prehistoric societies for generations. These findings upend the prevailing narrative of prehistoric gender roles. This data suggests that in these communities, both men and women were likely to be hunters. Their analysis yielded more surprises: out of 429 burials from across the Americas, they found 27 individuals associated with big-game hunting tools, and 11 of these were women. The discovery sparked a wider investigation, prompting researchers to reanalyze burials from around the same period. This conclusion stemmed from the diversity of hunting tools buried alongside her, which would have been used to kill and butcher large game, not just small animals. Upon examining the skeleton and associated tools, archaeologists concluded that this prehistoric woman was likely a hunter. The burial site, located in what is now Peru, was rich in hunting artifacts, from spear points to butchering tools. The discovery of a 9,000-year-old female skeleton buried with her hunting toolkit in the Andean highlands suggests women might have hunted big game right alongside men. Archaeological insights into the hunter gatherer woman We now have a new picture of gender roles in prehistoric societies. So while our general assumption is that men took on the role of hunters in prehistoric times while women gathered resources and cared for offspring, recent discoveries are challenging this age-old belief. Archaeologists have discovered the hunter-gatherer woman. Mother of Mark (Laura) Gertel, Jeffrey (Mary) Gertel and Martin (Carole) Gertel. SHIRLEY GERTEL, of Laurel Springs, formerly of Cranbury, died on Dec. Contributions can be made to the Jewish Community Center, 1301 Springdale Rd., Cherry Hill, NJ 08003. Grandmother of six and great-grandmother of five. Mother of Ellen (Arnold) Barnett and Warren (Cathy) Frankel. That problematic books written by people with no personal experience of the Holocaust should be fêted, while a book such as Fink’s has become an obscurity, feels deeply wrong.MIRIAM FINK, of Moorestown, formerly of Cherry Hill, died on Dec. As the recent controversies around The Boy in the Striped Pyjamas and The Tattooist of Auschwitz teach us, there is a real danger that ill-conceived fantasies can infiltrate and usurp historical memory. By this measure, a book like A Scrap of Time has a vital part to play in our understanding of the Holocaust. In A Thousand Darknesses, her book about Holocaust writing, Ruth Franklin writes that we need literature about it “not only because testimony is inevitably incomplete, but because of what literature uniquely offers: an imaginative access to past events, together with new and different ways of understanding them that are unavailable to strictly factual forms of writing”. Many good books are unjustly forgotten, but that A Scrap of Time should be is more serious. Throughout the collection, the strict economy of Fink’s storytelling is reminiscent of Maupassant, and Isaac Babel’s Red Cavalry stories. From a purely technical perspective, The Shelter is a classically constructed horror story that is one of the best examples of the genre I’ve ever read. These are superb short stories by any standard. The brute facts of the Holocaust can make literary criticism seem beside the point, but Fink’s subject matter should not be allowed to overshadow just what a good writer she is. Even more importantly, the stories’ shortness works against the emergence of a coherent overarching shape: these narratives have a fragmentary, overlapping, chaotic quality that reflects the provisional nature of their characters’ lives during the period described. The narrow parameters of the stories, most of which are just a handful of pages long, reflect the fact that in this world the course of an individual life could be decided by a single gesture, a moment or a whim. The stories’ titles reflect the tight focus of Fink’s gaze: A Conversation, A Dog, The Table, The Pig. The collection’s title story describes how the monstrous genocidal processes of the SS have overthrown the natural order, defining “this time measured not in months nor by the rising and setting of the sun, but by a word – ‘action’”. (To the west of the line, those proportions were reversed.) The extermination camps of Belzec and Auschwitz are mentioned, but Fink does not follow her characters there. As Timothy Snyder notes in his book Bloodlands, Jews such as those in Zbaraż, east of the Molotov-Ribbentrop line that cut occupied Poland in two, were killed “usually by bullets, sometimes by gas”. The other was taken into a nearby wood and murdered. The stories mostly take place in the same unnamed town (Zbaraż, we can assume) in the time of the mass killings perpetrated by the Einsatzgruppen, when Jews would be summoned to the town square and separated into groups. “At the first shots, our chubby, round-faced cousin David, who was always clumsy at gymnastics and sports, climbed a tree and wrapped his arms around the trunk like a child hugging his mother, and that was the way he died.” Consider this, from the book’s opening story: It’s unadorned, certainly, but with a stripped leanness of tone that sharpens, rather than muffles, its impact. I don’t know how much her style changed between then and the publication of A Scrap of Time, her first book, in 1983 (published in English in 1987, translated from Polish by Madeline Levine and Francine Prose), but subdued isn’t the word I’d use to describe it. Her entry in the Jewish Women’s Archive says that editors discouraged her from writing, finding it “too subdued and subtle”. Fink immigrated to Israel in the 50s, where she began to write fiction based on her experiences of the Holocaust. Meanwhile, that airborne infection Spider-Man: Turn Off the Dark dominates headlines and rakes in millions, without even opening. American Idiot was shamefully ignored at the Tonys and will be gone in three weeks. Venturesome, boundary-pushing works such as Spring Awakening, Bloody Bloody Andrew Jackson and Next to Normal closed too soon. If theater is your religion and the Broadway musical your sect, you've been woefully faith-challenged of late. His most enduring hit, “Sweet Caroline,” is prominently featured as both the Act I finale-when Diamond describes it as a visit from God himself, and Michael Mayer’s staging obliges with a chorus of dancers in gleaming white, à la Jesus Christ Superstar-and in a final send-’em-out-humming reprise after the curtain call, From his early breakthrough as the writer of “I’m a Believer” for the Monkees to more than two dozen of his later hits (such as “Cracklin’ Rosie,” “Song Sung Blue” and “America,” though perhaps understandably not “Girl, You’ll Be a Woman Soon”), the show makes its subject’s oeuvre the central focus of attraction and investigation. The Brooklyn-born singer-songwriter-showman was sometimes called the Jewish Elvis, and in that regard A Beautiful Noise is a suitable tribute to him in its biggest numbers it resembles an old-school Vegas-style impersonation show, recreating concert moments for the benefit of an audience that is happy to embark on a musical nostalgia trip.Ī Beautiful Noise extracts as many pop gems as it can from the Diamond mine. “Biggest box office draw in the world, ahead of Elvis Presley, can you imagine? The King,” Diamond marvels later on. As A Beautiful Noise, the jukebox biomusical based on his life, takes pains to inform us early on, he has had dozens of top-40 hits, and sold 120 million albums. As a compilation disc performed live, it’s a feast for Millennials its alternate title might well be Now That’s What I Call a Musical!įrom the 1960s through the early 1980s, at the height of his long career, Neil Diamond shone very brightly indeed. (Notably absent are any of his collaborations with Taylor Swift.) “Roar,” “Domino,” “Since U Been Gone”: the hit list goes on and on. The show’s 30 songs include multiple bops originally recorded by the Backstreet Boys, Britney Spears and Katy Perry, as well as tunes that Martin wrote-or, in all but two cases, co-wrote-for Pink, NSYNC, Kesha, Robyn, Kelly Clarkson, Jessie J, Céline Dion, Ariana Grande, Justin Timberlake, Ellie Goulding, Demi Lovato, Adam Lambert, the Weeknd and even Bon Jovi. Martin is the preeminent pop hitmaker of the past 25 years, so & Juliet has a lot to draw from. It is what it is: It gives you the hooks and it gets the ovations. A diverting synthetic crossbreed of Moulin Rouge!, Something Rotten!, Mamma Mia! and Head Over Heels, this show delivers just what you’d expect. It is also the guiding ethos of the new Broadway jukebox musical & Juliet, a quasi-Elizabethan romp through the chart-toppers of Swedish songwriter-producer Max Martin. “Keep it light, keep it tight, keep it fun, and then we’re done!” That’s the pithy advice that the indignant 16th-century housewife Anne Hathaway (Betsy Wolfe) imparts to her neglectful husband, William Shakespeare (Stark Sands), as a way to improve his play Romeo and Juliet, which she considers too much of a downer. (The number matches the rococo cornucopia of the New Amsterdam Theatre.) Granted three wishes for freeing the Genie from a lamp, Ala The musical’s high point is the hard-sell “Friend Like Me,” in which the fourth-wall-breaking spirit summons wave upon wave of razzle-dazzle to demonstrate the scope of his power. “It’s barbaric, but hey, it’s home,” sings the genial Genie (a game, charismatic Iglehart) in the opening song, and that’s the tone of Aladdin as a whole: kid-Oriented.Īs in the 1992 film, the Genie steals the show from its eponymous “street rat” hero (Jacobs, white teeth and tan chest agleam). The latest in the toon-tuner line, Aladdin, falls between those poles nearer in style (though inferior in stakes) to Disney’s first effort, Beauty and the Beast, the show is a tricked-out, tourist-family-friendly theme-park attraction, decorated this time in the billowing fabrics of orientalist Arabian fantasy. What do we wish for in a Disney musical? It is unrealistic to expect aesthetic triumph on par with The Lion King, but neither need we settle for blobs of empty action like Tarzan or The Little Mermaid. Reputed highlights include James Monroe Iglehart's bouncy Genie and the flying-carpet F/X. Composer Alan Menken adds new tunes to the 1992 original soundtrack, and Chad Beguelin provides a fresh book. Disney unveils its latest cartoon-to-musical project: the tale of a boy, an uncorked spirit and an aerodynamic rug. For those items identified as the “most likely causes”, the team should reach consensus on listing those items in priority order with the first item being the most probable” cause.Do this by looking for those items that appear in more than one category. Analyze the results of the fishbone after team members agree that an adequate amount of detail has been provided under each major category.Continue until you no longer get useful information as you ask, “Why is that happening?”.Continue asking, “Why is this happening?” and put additional segments each factor and subsequently under each sub-factor. A ishikawa diagram is an established tool for visualizing the root causes of business problems. Repeat this procedure with each factor under the category to produce sub-factors.The 4 S’s: Surroundings, Suppliers, Systems, Skills.The 4 P’s: Place, Procedure, People, Policies.The 6 M’s: Methods, Machines, Materials, Manpower, Measurement, Management.List the problem/issue to be studied in the head of the fish.How to make a Fishbone diagram from scratch To study why a process is not performing properly and/or producing the expected results.For instance, the 6M method (Manpower, Machinery, Materials, Methods, Measurements, Mother-nature, and Manpower) is effective in finding out and categorizing major reasons. The team needs to study a problem to determine the root cause 5W1H Method for Cause-effect Analysis There are many skills and techniques for better cause and effect analysis.Need to identify areas for data collection.Study all the possible reasons why a process is having difficulties, problems, or breakdowns in the initial stages of the process.It is also referred to as the Ishikawa diagram or cause-and-effect diagram. Fishbone diagram is a great value in assisting teams in categorizing the many potential causes of problems or issues in a systematic way and helps identifying root causes and you can use this diagram in your PowerPoint presentations to model cause and effect situations. Kaoru Ishikawa, a Japanese quality control statistician, who invented the fishbone diagram. Although you will see the 6Ms in different sequences, the definition of the Ms will be the same. The standard format for these diagrams is: Image source:. The diagram was originally suggested by Dr. The format in which you use it will usually be the cause and effect diagram, also known as the Fishbone Diagram or Ishikawa Diagram. Basically, the fish bone diagram looks like the skeleton of a fish, and that’s why its name is fishbone diagram. In PowerPoint 2010 you can draw your own Fishbone diagram or download ready made PowerPoint templates. Of course, there can be ramifications, connections between branches. The Issues you observed within in these Activities and Inputs. The 4Ms fishbone diagram (cause and effect diagram, Ishikawa diagram) example "Production process" was created using the ConceptDraw PRO diagramming and vector drawing software extended with the Fishbone Diagrams solution from the Management area of ConceptDraw Solution Park.Fishbone diagram is a analysis tool to provide systematic way of understanding effects and the causes that create those effect in business situations. This Fishbone Diagram is based on 3 Components: The main Activities and Inputs involved in defining a Product or System. 1.2 This tool is also known as the fishbone diagram or cause and effect diagram or 6M. It has been suggested to return to the roots of the tools and to keep the teaching simple while recognizing the original intent most programs do not address the 8Ms. Ishikawa Diagram/Fishbone Diagram/Cause and Effect Diagram / 6M: 1.1 Ishikawa Diagram is the most popular tools for root cause investigation. However, this is not globally recognized. The original 6Ms used by the Toyota Production System have been expanded by some to include the following and are referred to as the 8Ms. Man Power (physical work)/ Mind Power (brain work): Kaizens, Suggestions Material (Includes Raw Material, Consumables and Information.) The 6 Ms (used in manufacturing industry) "Causes in the diagram are often categorized, such as to the 6 M's. |
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